In fact, the most likely theater will be this one or this one, based on the number of screens they're running it on.
Michael Moore's Fahrenheit 9/11 opened in select theaters on June 23rd. If the drawn faces of audience members leaving some of the first screenings in New York City are any indication, this film fucks you up. (Hey Fahrenheit marketing people, put that blurb on your poster!) Those people willing to speak—many were dumbstruck and declined to talk, walking off in dazed silence—responded with intense emotion.
"I cried," said Tom Allsup. "And I cried again."
"People laughed, but were polite," says Sheila Schwid.
"We talked back to the screen," says Casey Krugman.
Or, as one attendee joked, "I laughed, I cried, I wanted the Bush family dead!"
Pundits and critics have had their chance to weigh in, but for the most part those professional culture watchers know whether they're sitting on the left or the right side of the theater before they enter. It's audiences that will ultimately decide whether Moore has succeeded with his latest film. We talked with people as they exited Fahrenheit 9/11 to take their pulses and check their temperatures.